NachtKonzert

Dienstag, 18.10.2011, 21 Uhr Glockenhaus, Glockenstraße
Elektroakustische Musik aus Bourges, Frankreich
2001-2005

Miguel HERNANDEZ : El Santo Cuantico (5´16)

Andrea SZIGETVARI : The Priest and the Shell (3´15)

Ralf NUHN: Staccato Death/Life (6´23)

Marcelle DESCHÊNES : Die Dyer (4´53)

Luigi CECCARELLI : Live  (7´22)

Kotoka SUZUKI : Umidi Soni Colores (4´58)

Mikel ARCE-SAGERDUY : *.WAV (3´23)

Stephan DUNKELMAN : Kajsa : 3 femmes et un promeneur (3´14)

Diego GARRO : Pointes Précaires (5´08)

Arnaud FABRE : Dropper01 (2´47)

Paolo GIROL : Mi sentiro con ale  (4´21)

Roberto MORALES : Cenzontle (2´43)

Miguel HERNANDEZ He was born on 23rd May 1968 in Mexico. Guitarist from the Escuela Nacional de Musica, UNAM. In the last few years, he has been developing his artistic work in the field of sonic art and electroacoustic composition. He has been participating in several festivals of electroacoustic music like the 20. Festival de Arte sonoro Humor y Aliento Mexico 2000, the 2nd and 3rd Sonic Gallery of Latin American Composers, presented by composers Forum at University of North Texas, etc. He is part of the electroacoustic composition workshop directed by Manuel Rocha Iturbide in Mexico City.

Andrea SZIGETVARI She was born on March 18th, 1961 in Kecskemet (Hungary). From 1979 to 1984, she studied sound recording and electroacoustic music at Fr. Chopin Academy of Music (Warsaw). In 1989, she is Fulbright researcher at Brooklyn College (New York). In 1989, 1991, 1992, she visits at IRCAM (Paris). In 1990 and 1991, professor and organizer of courses of the International Bartok Festival (Szombathely) and Director of the Hungarian Computer Music Foundation. She managed the “Short Circuits” Festival in the framework of the Budapest “Spring” Festival (1994-1996). She developed the musical informatic course's curriculum at Janus Pannonius University, Pecs (1993-1995) and is teaching at the Music Academy, Budapest (1995). In 1998, she founded and became manager of the contemporary music festival “Making New Waved”. In 1999, she received a commission from the Budapest Autumn festival for making silent movie music, winning an Art fund for creating an interactive MPS program called “Mandala”.

Ralf NUHN Born in 1971 in Kassel, Germany, and living in London, UK since 1996. He is a ‘pan-media’ and live performance artist with an academic background in Literature and Psychology (MA at Kassel University, 1991-1996) and sonic Arts (BA at Middlesex University, London, 1998-2001). He is currently employed as a research associate for the international MOSART project, which is primarily concerned with enhancement of computers based composition systems.
Up to his early twenties Nuhn was involved in various German underground bands providing vocals and sound effects. Since the mid 1990s he has started to compose electronic music and initially focused on producing soundtracks for collaborative video installations.
For the past four years he has worked on different sound installations and sculptures often involving a combination of digital and physical media. Nuhn’s live performance practice as well as his installations are particularly concerned with the interdependency of sound and image and in the context of electronic music he often refers to his own work as ‘post-acousmatic’ art. His most recent projects are based on mixed reality environments in which he seeks to explore and establish relationships between the virtual and physical domain.

Marcelle DESCHÊNES Composer, pianist, teacher and multimedia artist born in Price (Québec), 1939.
Master's degree and doctoral courses in composition under Jean Papineau-Couture and Serge Garant at the Université de Montréal (1963-68), followed by advanced training and work at the Université de Paris-VIII and the ORTF's Groupe de recherches musicales in Paris (1968-71), with Pierre Schaeffer, François Bayle and Guy Reibel.
Moving to Quebec City (1972-77), she works as a lecturer and researcher in Auditory Perception, Musical Pedagogy for Children and Multi-art Animation Techniques at the Université Laval's Studio de musique électroacoustique, where she joins the electroacoustic performance group GIMEL.
Back in Montreal, she is involved in the creation and operations of various organizations, as a founding member and director of: ACREQ (Association pour la création et la recherche électroacoustiques du Québec), Action multimédia (with the company Écran Humain), FATNA (Fondation pour l'application des technologies nouvelles aux arts) and NEXUS (Compagnie de création multimédia); a founding member of CEC (Canadian Electroacoustic Community ). She was also on the Board of Directors for a few years of the SMCQ (Société de musique contemporaine du Québec). From 1980 to '97, she teaches Electroacoustic and Multimedia Composition, Auditory Perception and Electroacoustic Composition Techniques at the Music Faculty of the Université de Montréal. She creates, develops and manages a new program in Electroacoustic Composition for the undergraduate, master's and Ph.D. levels.
Marcelle Deschênes' œuvre is important not only for its pioneering nature, but also its diversity: multimedia performances, photography, video art; instrumental, mixed, acousmatic and application music; radio art, installation art, and animation/creation for non-musicians. For the last 20 years, her creative work has been mostly focused on a search for new forms of artistic expression combining music, the latest technology, stage arts, visual arts and multidisciplinary teamwork. Her works are heard at an international level, in America, Europe and Asia; several of them have been selected in international competitions or won prizes: Concours international de musique électroacoustique de Bourges (1978, 1992, 1994, 2002); AMI Multi-Image International Competition in California (1986, 1989); International Multi-Image Competition in Munich (1989); Concurso International di Musica Electroacustica in São Paulo (2003); International Electroacoustic Music Contest ART'S XXI in Valencia (2001); Best Animation-Experimental, Reeling, Chicago (2001); Vidéoart, Locarno (2001); Prix Vidéoformes 2000, France; Rendez-vous du cinéma québécois (2000); Festival international nouveau cinéma nouveaux médias (1999); finalist at the international competition Prix Italia (1989).
Awardee of the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the ministère des Affaires culturelles du Québec, the ministère des Relations internationales du Québec, the ministère de l'Industrie, du Commerce et de la Technologie du Québec, the Conseil des arts de la communauté urbaine de Montréal, the Ontario Arts Council, The Banff Centre for the Arts, the Université de Montréal and New Music America.
Kotoka Suzuki composes for both instrumental and electro-acoustic as well as for dance and film, with a keen interest in combining visual element and sound. Since her DAAD residency in Berlin (2001-2002), she has been increasingly engaged in producing collaborative audio-visual works with several artists in Berlin. Currently, she is producing two collaborative works with the video artist, Claudia Rohrmoser: an interactive audio-visual installation and a new work for piano, live-electronics, and video. 
Artists such as the Arditti String Quartet, Continuum, Le Nouvel Ensemble Moderne (Canada), Pacifica Quartet, Earplay Ensemble, and Junge Musik have performed her works. In addition, her works have been commissioned by Electronic Music Studio TU Berlin (Technical University Berlin), Berliner Kuenstlerprogramm DAAD, Sender Freies Berlin (Radio -Rundfunk Berlin-Brandenburg), Music At the Anthology (MATA), Le Nouvel Ensemble Moderne, and Continuum Contemporary Music (Canada).
Among her recent awards include first prize at the 30th Bourges International Electroacoustic Music and Sonic Art Competition in multimedia category (IMEB) (France), Musica Nova International Electroacoustic Music Competition Honor Prize (Czech), Robert Fleming Prize from Canada Council for the Arts, and Gerald Oshita Fellowship Award from Djerassi Resident Artists Program. 
Suzuki received a B.M. degree in composition from Indiana University and a D.M.A. degree in composition at Stanford University, where she studied with Jonathan Harvey (to whom she submitted her Doctoral thesis). She is an Assistant Professor of Music at the University of Chicago since 2004.

Mikel Arce Sagarduy   (Bilbao 1959)
- 1983. Junggeselle   Bildende Kunst Universität Baskenland / EHU UPV Euskal, spezialisiert auf audiovisuelle Medien.
- Geben Sie 1983 als Professor in Schule of Fine Arts UPV / EHU in Abschnitt Audiovisual.   Seit 1995   Professor der Sache:   "The Sound Made"
Theaterstücke, Ausstellungen, Auszeichnungen und herausragende Werke
-2005 "A Noise von Souffle", Klanginstallation, KLEM Kurai Fesival im Jahr 2005, Kultur Leioa, Dezember 2005. http://www.youtube.com/watch?v=H0P3fHhNFFM
2005 "BOTASONEIRO" Performance Sonora, mit Iñigo Ibaibarriaga, KLEM Kurai Fesival 2005, Kirche von San Felicissimus Dezember 2005.
- 2004 "METROPOLIFONIA III"   Intervention "sound-visual" in die Show eröffnet Kultur-Gebäude Leioa, Leioa 2004,   Video-Projektion und Audio   das Gebäude selbst
- 2004. Der erste Preis in der Kategorie   Klanginstallationen und Environments    der "31e Concours International de Musique et d'Art et Sonore   Bourges Electroacoustiques / 2004 "für die Arbeit" *. WAV "
- 2004 "The Turn of MEMORY "   Zusammensetzung und Intervention "sound-visual" in der Sendung "Metropolifonía" Gebäude CEDEMI, Baracaldo 2004 / " Die Bianca Nocco "   ROME, Goethe Institut, September 2004. http://www.youtube.com/watch?v=QdS2fsPWRCs
- 2004. "*. WAV" Klanginstallation, http://www.youtube.com/watch?v=BvdRFM4A2Ac
- 2003.   "Migration"   Mary Eugenia Luc und Josu Rekalde.   Verräumlichung und Klang Aktion , Festival Plaza, Jazz Festival in San Sebastian, Koldo Mitxelena Raum.
- 2002. "Diapason 2'5" (Klanginstallation) stellte auf der Palace Montehermoso Vitoria, in "Visual Territory Vitoria" 2,5 Dimensionalität, -
- 1989. "Mirinda KILLER" .16 mm. Alex De Die Kirche. (Als Director of Sound). Film Festival den ersten Preis von 1990 Alcala de Henares, ausgewählt und ausgezeichnet mit dem Preis "Telenorte" beim Festival of Short Film and Documentary Film von Bilbao 1990. Der erste Preis in der Förderung der TVE space "El Saler". Herausgegeben von Canal Plus.
- 1985. "El Amor Brujo" 35mm. De Carlos Saura. (As   Tontechniker). Veröffentlicht in Madrid in den "Palast der Musik "Die 23/3/1986. Ehrengast Film für die Closing Night des Cannes Film Festival 1986.
-. 1986 "Bilbao" Video Dokumentarfilm-Creation, zusammen mit Gisella Keller. Ausgestellt auf der III Internationalen Festival von Madrid 1986 Video http://www.youtube.com/watch?v=Wnk3trSRNRE&feature=channel
- 1982. "Toilette." (Videoinstallation). Ausgestellt am: Artedo 1983, Internationale Messe für zeitgenössische Kunst in Bilbao. II Video Festival San Sebastian, 1983. . 1. Sitzung der Video Schöpfung, Elne, Francia.1983, "The Limits of Video". 1A zeigt die Sestao Videocreation 1989 und Exposure Videofilmer. (X Anniversary Spezialität 1980 bis 1990) von die   Fakultät Fine Arts UPV / EHU. Klassenzimmer   Kultur der Banco de Bilbao-Vizcaya.1991 http://www.youtube.com/watch?v=uyFZfR4Nq2U
Stephan DUNKELMAN Hailing from Belgium, Stephan Dunkelman is a composer of acousmatic music. Once a student of Annette Vande Gorne, he shows interests in space and time relations within sonic movement -- common to many such composers working from inside academic institutions. His music shares similarities with the works of Francis Dhomont, Gilles Gobeil and Vande Gorne. His first solo album, Rhizomes, came out in 2002.
Born in Brussels in 1956, Dunkelman first studied at his hometown Conservatoire Royal de Musique. He completed degrees in Electroacoustic Composition and Music History in 1989 and 1990, moment at which he completed his first important works. "Signallures," finalist at the Concours Luigi Russolo in 1991, brought him his first laurels and also became one of his first pieces made available (on the 1996 CD Acousmatica). "Rituellipses," "Métharcana" and "Dreamlike Shudder in an Airstream" also won international distinctions and were released on compilation CDs. While working on his graduate degree in acousmatic composition with Vande Gorne, Dunkelman multiplied collaborations with visual artists and choreographers, thus further exploring the spatiality of sound. He has worked with sculptor Charlotte Marchal, painter Axel Miret, choreographer Michèle Noiret and fashion designer Azniv Afsar. The prestigious Quebecer electroacoustic label Empreintes DIGITALes had included his short piece "Aquaéra 1" on the compilation CD Miniatures Concrètes in 1998 and four years later released his first solo album, Rhizomes, which includes the aforementioned pieces plus a few more. The album launch was accompanied by feature concerts in Montreal (as part of the 11th Rien à Voir festival) and Brussels.
Diego Garro obtained his BSc in Electronic Engineering from Università di Padova where he specialised in Electronic Music at the local Centro di Sonologia Computazionale. He studied Electroacoustic Music at doctoral level with Mike Vaughan and Rajmil Fischman at Keele University (UK) where he holds a lectureship in Music Technology, Electroacoustic Music and Video Art. His audio and audiovisual compositions have received a number of prestigious international prizes and are regularly selected and performed in various festivals, concerts, events and conferences in UK and abroad. His activity as researcher and educator focuses on working practices and compositional languages that bridge the Electroacoustic idiom with other aspects of popular culture and experimental art (Electronica, glitch, video).
Arnaud FABRE I am currently working as temporary assistant in Computer Science for research at the laboratory LSIIT, and for teaching at the IUT HAGUENAU (Université Louis Pasteur, Strasbourg, France).

Paolo Girol (1972, Venice, Italy) studied mandolin and classic guitar with Livio Marcolin and attended master classes with Emanuele Segre and Alvaro Pierri and studied Computer Science with Andrea Sgarro at the University of Trieste. He has got two A. A. degrees: “Sound Engineer” and “Sound Recording Techniques for Musicians”. He obtained his Bachelor Degree in “Music and New Technologies” from Academy of Music of Trieste and his Master Degree in “Audio Visual Composition” from the same institution. His interest is the hybridization of different artistic languages. His works have been played nationally and internationally, they have been selected to several festivals/conferences and they have been awarded with national and international prizes such as First Prize in “Multimedia & Musical Arts” for Best Italian Digital Composition in Musical Field 2006 and First Prize “Work for multimedia”, International Competition of Electroacoustic Music and Sonic Art 2005, IMEB, Bourges, France. He teaches “Sound Recording” at the Baltic Film School and “Fundamentals of AudioVisual art” at the Estonian Academy of Music. http://paologirol.com/

Roberto Morales Manzanares, *1958, mexikanischer Komponist, schrieb Musik für Theater, Tanz, Filme, TV und Radio, als composer in residence arbeitete er u.a. an der Universität in Berkeley und am ZKM in Karlsruhe. 1988 war er Mitgründer des ersten Computer-Musikstudios in Mexiko. Außerdem ist er Mitglied der Sistema Nacional de Creadores. “Der erste Teil von Brisas y Aromas ist algorithmisch strukturiert und basiert auf generativer Grammatik und Poissons Funktion. Im zweiten Teil spielt Elektronik die Hauptrolle. Der Autor des Textes ist Rafael Figueroa, ein traditioneller Œsonero (Morales).