Nachtkonzert
Elektroakustische Musik aus dem EULEC, (D)
| Gabriel Cerini | Phonographie (1997-9) (*) |
| Phonographie 4 “Ciudad-Imagen” (1997-9) (*) | |
| Pieza de salón (2005) (**) | |
| Postales de la máquina del tiempo (2005-6) (**) | |
| Son Bieli (2005) |
(*) Musik aus dem EULEC (European Live Electronic Centre) des Fortbildungszentrums Neue Musik Lüneburg und Hochschule für Musik und Theater Hamburg.
(**) Obras realizadas en el LIEM-CDMC, Centro de Arte Reina Sofía, Madrid, España.
Composer.
University specialist in New Technologies of Musical Composition
(Hochschule für Musik und Theater Hamburg-Germany).
Studies of Traditional Composition with Carmelo Saitta, New Technologies of Composition with Helmut Erdmann, Improvisation with Peter Michael Hammel, and Flute with Lars Nilsson.
In between 1980 and 1986 produce multimedia spectacles, performances, concerts and educational activities with professionals of plastic arts, theatre, video, dance and poetry in open and closed places.In this context releases own compositions and of others composers, also gives to knowing other works in groups of different characteristics, especially using instruments constructed with tubes of polyethylene.
Principals premieres:
“Amo a Débora” (Electroacoustic-2002 - Lüneburg);
“Todos vivimos en el centro del mundo” (Orchestra -2001 – Palma de Mallorca);
“Phonosphera” (Electroacoustic -2000 -Cuba);
“El suelo sin fin” (Flute and electronics -1999 -Hamburgo);
“Phonographie” (Electroacoustic -1999 – France);
“Fractales para Orquesta” (Orchestra -1996 -Mendoza);
“Tenía una voz excesivamente áspera” (Electroacoustic -1996 -Neuquén);
“Cuatronsa por ella misma” (Electroacoustic -1993 -Buenos Aires);
“Marrones” (Solo Flute -1977 -Mendoza).
Since 1999 takes part as member of the Artistic Commission of Fundació ACA in Mallorca (Spain).
Gabriel Jorge CERINI : Phonographie (1999)
My point of listening the century is about " prepared ears ". Not specifically in the meaning of "ready" for something. "Prepared" like the prepared pianos by Cage.
I talk about ears with something additional, supplied. Metaphorics pieces of paper, or some alike. Different kinds of small gears, that can be installed within and following put out of them.
"Phonographie" is a little tribute to the special listening with recorded material. I think that this act (be able to hear music through boxes) was one of the most significant events in the history of the music our time.
Discrete channels of audio using to record recorded material different "areas": synthetiser Korg Z1 in one of these. Tree more with different cuts for an orchestral piece composed by myself in 1996 ("Fractales para orquesta", Orquesta Sinfonica de la UNC, dir. David Del Pino-Klinge, live in Teatro Mendoza, Mendoza, Argentina-9-9-96) and material of improvisations more jazz oriented. All with Pro-tools version 2.01. Mixed with console Lawo MC80. Compact Disc recorded in CD RW Marantz. In Ton Studio from the High School of Music and Theatre. Hamburg University, April 1999.
(Programe notes from IMEB-Bourges-1999)